If you’ve been through the previous three entries, you’ll now have a basic understanding of ethnography and where it came from, and some of the basic principles. You will also – hopefully – have put your principles into practice in all sorts of locations, from your mate’s house to shows. You will also have an …
Category Archive: Course: Music Journalism 101
Permanent link to this article: http://biodagar.com/2009/01/music-journalism-101d-reviewing-a-bands-performance/
Nov 23
Music Journalism 101c. Ethnography at Gigs
Hopefully, if you’re diving into this next part of Music Journalism 101, that you’ve already read and made sense of 101 B – Ethnography. If not, and you only have a vague sense of what exactly ethnography is, I strongly suggest you go back and read it. This section of the course does not cover …
Permanent link to this article: http://biodagar.com/2008/11/music-journalism-101c-ethnography-at-gigs/
Oct 25
Music Journalism 101b. Ethnography.
Ethnography is properly from the science of anthropology. In relatively recent years, the practice of ethnography has grown well beyond its original uses. These days, ethnographers are not just academics and researchers, but also essayists and nonfiction writers: people who go out into uncomfortable or odd situations and then write about their experiences afterwards. Others …
Permanent link to this article: http://biodagar.com/2008/10/music-journalism-101b-ethnography/
Oct 12
Music Journalism 101a. Introduction.
Welcome to Music Journalism 101. This online course is free to use for self-study under a Creative Commons license; however, you are not able to use it commercially, or remix it or adapt it in any way. It will be available commercially when it is complete, however; so, if you want to use it commercially (such …
Permanent link to this article: http://biodagar.com/2008/10/music-journalism-101a-introduction/
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